170714 with Details
Someone recently asked about the borders I incorporate into the top and bottom of my pieces. If you are inclined to look at my oldest work you can see that it evolved early on with some trial and error. At first, I simply experimented with it as a compositional element, then as I started to consider it more deeply, a few ideas emerged. As I'm working I usually make the border last. It gives me a strong sense that I'm finished and offering the piece to the viewer at that moment—literally as if I'm handing it to someone. Leaving the two sides "open" makes a subtle statement that you are free to visually enter and exit the piece—to walk through it. The open sides also allow my body of work to be tied together and experienced as a continuum.